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General Conditions 

General conditions, specifications, labor and material for 
painting, varnishing and enameling a 



to be erected for 



In accordance with the accompanying drawings, details and 
specifications under the supervision of 

Architect 



Date 

These specifications are intended to cover the painting, stain- 
ing, varnishing and enameling and entire finishing of all wood- 
work throughout the interior and exterior of the building, unless 
otherwise specified. 

The finishing of all plastered surfaces shall be as specified. 

The Contractor shall furnish all materials, utensils, scaffold- 
ing, labor, transportation, etc., required for the performance of 
the work herein specified, except as otherwise particularly men- 
tioned. He shall keep a competent foreman on the premises; 
shall not sublet any part of his work without the written consent 
of the Owner, or Architect; shall be responsible for all damage 
to the property, or the work of other contractors, caused by him 
or his employees, and must take all necessary precaution to 
properly protect his work during progress. 

Extra work performed by the Contractor will not entitle him 
to any additional payment above the cost agreed upon, for this 
contract, unless said extra work is specifically ordered and 
authorized, in writing, by the Architect or his Superintendent. 

The Architect or his Superintendent shall have the right to re- 
ject any or all work or material, which in his opinion does not 
conform with the meaning and intent of the specifications in the 
accompanying drawings, and reserves the right to replace same 
at the expense of the Contractor. 

All materials are to be the best of their several kinds in quality 
as herein specified; all labor is to be performed in the best man- 
ner by skilled workmen and both are to be subject to the approval 
of the Architect. 

When special makes or grades of prepared paint, varnish or 
wood finish are called for, such material must be delivered at the 
building in the original cans with the seals unbroken and labels 
attached, and such cans are not to be opened until inspected and 
approved by the Architect. All varnishes must be used just as they 
come from the manufacturer without any reducing or alteration. 

Should anything be omitted from the drawings or specifications 
which is necessary to a clear understanding of the work, or should 
any error appear, it shall be the duty of the Contractor to notify 
the Architect before proceeding with the work. In the event of 
the contractor failing to give such notice, he shall make good any 
damage to or defect in his work caused thereby. 

The drawings and specifications furnished for this work are to 
be considered instruments of service, are to be used for this build- 
ing only, are the property of the Architect and must be returned 
to him immediately on the completion of the work set forth herein. 

At the completion of the work, the Contractor shall clear out all 
rubbish and surplus material left by him, shall clean off all paint 
and varnish spots from the floors, glass, walls, etc.; shall repair 
any damage to his work, no matter by whom caused (loss or 
damage by fire excepted) and leave the premises broom clean 
and in perfect repair and order, so far as his work is concerned. 

The Painter is referred to the Carpenter's specifications for 
the amount of woodwork to be finished. 

The Owner reserves the right to accept any, or reject any or 
all proposals presented. 

Methods of Procedure 

Exterior 

Preparation Cove . r a11 sa P' 1 ? nots and defects in woodwork, 
.which is to be painted, with a good coat of pure 
grain alcohol shellac before priming. 

Putty up all nail holes, cracks or defects after priming. 
Painting Paint a11 exterior woodwork with three coats of 

pure linseed oil paint in colors as directed. 
Shingle A " sum g les are to be dipped tliree-fourths of their 

Staining len S th iu (specify make) shingle stain before putting 

on, the colors to be as directed. 

Metal Paint all tinwork of roofs, gutters, valleys, etc., and 

Painting a " ironwor k with two coats of best quality of metallic 

or graphite paint over the priming coat, of color as 

may be selected. 

Exterior Apply one coat of Pratt & Lambert Paste 

Varnishing Wood Filler (specify color), which when set, 

open-grained clean off thorouglily. When hard, sand lightly 

woods and apply one coat of Pratt & Lambert "61" 

Floor Varnish and finish with two coats of Pratt & Lambert 



Spar Finishing Varnish; each coat of varnish to be lightly sanded 
with fine sandpaper before the succeeding coat is applied. 
Exterior Apply one coat of Pratt & Lambert "61" 

Varnishing Floor Vlu ™sh and finish with two coats of 

close-grained Pratt & Lambert Spar Finishing Varnish, each 
woods coat of varnish to be lightly sanded with fine 

sandpaper before the succeeding coat is applied. 
NOTE- If other than the natural finish is desired on close- 
pained woods, specify one coat of Pratt & Lambert Oil Stain 
(specify colon, then finish as specified for close-grained woods. 

Methods of Procedure 
Interior 

Preparation All woodwork that is to have a varnish or 

enamel finish must be smooth, clean and dry and 
properly prepared to receive the finish. 

All necessary puttyingof nail holes, cracks, etc., shall bedone after 
the first coating, with putty of a color to match that of the finish. 
Before this work is begun, scratches or cuts and defects in the 
wood must be obliterated. 

The Painter must inspect all woodwork, floors and plastered 
surfaces which are to be finished by him, and if such work is not 
in proper condition for finishing, he must notify the Architect. 
Graining A " work to be g raine d sna " "ave one coat of pure 

Work linseed oil paint of such color as may be selected, 

then one coat of flat paint suitable for a ground 
color, then one coat of graining color, grained and shaded to imi- 
tate, as closely as possible, the desired wood. This is to be 
finished, when thoroughly dry, with two coats of Pratt & Lambert 
"38" Preservative Varnish. 

Oak, Ash, Chestnut, Elm and Butternut Woodwork 

Effects such Above woods shall have one coat of Pratt & 

as Natural Lambert Paste Wood Filler (specify color); 

Antique ' i,ie " tm ' ee coats of Pratt & Lambert " 38 " 

Golden 'etc Preservative Varnish, lightly sanded between 

with varnish c °ats. Of final coat specify whether left in the 
f; n j sn natural gloss, rubbed to an eggshell finish or 

polished. (See Rubbing and Polishing.) 
Effects pro- Above woods shall be first sponged with cold 

duced bv the wa * er anr ' sanded smooth when dry, then have 
use of Acid one coa ' °^ Pratt & Lambert Acid Stain (specify 

Stains and color), then one coat of white shellac, then one 

P»«t» FHli,. coat of Pratt & Lambert Paste Wood Filler 
with t varnfsh ( s P eci ^ co,or )' then ° ne coat of white s,lellac 
finish and two coats °f P ra 't & Lambert "38" Pre- 

servative Varnish, lightly sanded between coats. 
This, however, applies only to two-toned effects (stain of one 
color, filler of another) . Where the filler is of the same color as 
the stain, the coat of shellac should be omitted between the 
stain and the filler. Of final coat specify whether left in the 
natural gloss, rubbed to an eggshell finish or polished. (See 
Rubbing and Polishing.) 
Effects rjro- Above woods shall have one coat of Pratt & 

duced bv the Lambert Paste Wood Filler (specify color), then 
use of Paste one coat °^ Pra * ,; & Lambert Oil Stain (specify 
Fillers and color), then one coat of Alcolac and two coats of 

Oil Stains Pratt & Lambert "38" Preservative Varnish 

with varnish , 'S nt 'y sanded between coats. Of final coat 
finish specify whether left in the natural gloss, rubbed 

to an eggshell finish or polished. (See Rubbing 
and Polishing.) 

NOTE— Where the lighter toned stains are used as the 
lighter grays, blues, greens, etc., specify Pratt & Lambert 
Palest Interior Varnish, on account of its exceeding paleness. 
NOTE — In place of "38" Preservative Varnish, where 
specified in the foregoing specifications, specify "110" 
Cabinet Varnish, where economy of first cost is necessary. 

Dull finish Above woods shall have one coat of Pratt & 

without rubbing. Lambert Paste Wood Filler (specify color). 

Effects with then one coat of white shellac, sanded lightly, 

Paste Fillers and one coat of Pratt & Lambert Dulkote. 

Dull finish Above woods shall be first sponged with 

without rubbing. ™ Id water and sanded ™oo»h. when dry 

Effects with ave one ° Pratt & Lambert 

Acid Stains and A ^. d Stai M (specif ^ fr'l' *"! ° ne COat °f 

Pa «tp Fillorx white shellac, sanded lightly, then one coat 

riuers of praU & Lamben p aste Wood Fi]|er 

(specify color), then one coat of white shellac, sanded lightly, 

and one coat of Pratt & Lambert Dulkote. 
Dull finish with- . kh r ove woods shaU have one coat of Pratt 
out rubbin? Lambert Paste Wood filler (specify 

Effects with color), then one coat of Pratt & Lambert 

Paste Fillers *~"' Stain ( s P ec 'fy color), then one coat of 

and Oil Stains £ hi ' e «*dlac.«anded lightly, and one coat of 

Pratt & Lambert Dulkote. 
Dull finish with- Above woods shall be first sponged with 

out filler. Effects cold water and sanded smooth when dry, 
with Acid Stains then have one coat of Pratt & Lambert Acid 




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Stain (specify color), then one coat of white shellnc. sanded 

lightly, then one coat of Pratt & Lambert Dulkote. 

n..ll R„i.l, wltU Above woods shall have one coat of Pratt & 

outfi le '.Effects Lamb f Oi| Stain (specify color) then one 

with Oil Stains coat of t wbl ' e *«««■ sanded lightly and 

one coat of Pratt & Lambert Dulkote. 
SimDler method Above woods shall have one coat of Pratt & 
flat finish ' L am bert Oil Stain (specify color), sanded light- 

ly, and one coat of Pratt & Lambert Dulkote. 

Baywood and Mahogany Woodwork 



Natural varnish 



Above woods shall have one coat of Pratt 



finish usinff ^ Lambert Light Paste Wood Filler, tinted 

Paste Filler '° SDac ' e desired, then one coat of shellac, 

sanded lightly, then two coats of Pratt & 

Lambert "38" Preservative Varnish, sanded lightly between 

coats. Of final coat specify whether left in natural gloss, rubbed 

to an eggshell finish or polished. (See Rubbing and Polishing.) 

Stained varnish **»"\ wood * sha " b , e first s P on f d * ith 

finish usinc water and sanded smooth when dry, 

Acid Stain and then ^ ave one coat °^ * >ratt ^ I >ambert Acld 

Paste Filler ^ tain ( s P eci fy color), sanded lightly, then 

one coat of Pratt & Lambert Paste Wood 

Filler (specify color), then one coat of shellac, sanded lightly, 

and two coats of Pratt & Lambert "38" Preservative Varnish, 

lightly sanded between coats. Of final coat specify whether left 

in the natural gloss, rubbed to an eggshell finish or polished. 

(See Rubbing and Polishing.) 

NOTE— Satisfactory color effects on these woods are lim- 
ited to the light and dark mahogany stains and fillers, the Tuna 
mahogany stains and fillers, and the brown stains and fillers. 

Maple, Birch, Cherry and Beech Woodwork 
Natural Above woods shall have one coat of Pratt & Lam- 

varnish " )er ' Alcolac and two coats of Pratt & Lambert "38" 
finish Preservative Varnish, lightly sanded between coats. Of 

final coat specify whether left in the natural gloss, rubbed 

to an eggshell finish or polished. (See Rubbing and Polishing.) 
p-. Above woods shall be first sponged with 

tttects pro- co]d water and sanded smoot h w hen dry, then 

h-A %T- have one coat of Pratt & Lambert Acid Stain 

Acid Stains (specify color), then one coat of white shellac 

varnish finish and two coats of Pratt & Lambert « 38 .. 
Preservative Varnish, lightly sanded between coats. Of final 
coat specify whether left 'in the natural gloss, rubbed to an egg- 
shell finish or polished. (See Rubbing and Polishing.) 
Effects Dro- Above woods shall have one coat of Pratt & 

duced with Lambert Oil Stain (specify color), then one 

Oil Stains coat °^ * >ratt * ^ ambert Alcolac and two 

varnish finish , c ° ats . ° f F ™}\ & La J mber ' " 38 " Preservative 
Varnish, lightly sanded between coats. Of 
final coat specify whether left in the natural gloss, rubbed to an 
eggshell finish or polished. (See Rubbing and Polishing.) 

NOTE— In place of "38" Preservative Varnish, where 
specified in the foregoing specifications, specify "110" 
Cabinet Varnish, where economy of first cost is necessary. 
Dull finish- Above woods shall be first sponged with cold 

without water and sanded smooth when dry, then have 

rubbing one coat °* Pratt * Lambert Acid Stain (specify 

Effects with color), sanded lightly, then one coat of white 
Acid Stains shellac sanded lightly and one coat of Pratt & 

Lambert Dulkote. 
Dull finish Above woods shall have one coat of Pratt 

without rubbing. & Lambert Oil Stain (specify color), then 
Effects with one coat of Alcolac sanded lightly and one 

Oil Stains coat of Pratt & Lambert Dulkote. 

Simpler method, , Above woods shall haveonecoat of Pratt 

flat finish & l™ J\ f (speC ' f f V°! 0r i- 

sanded lightly, and one coat of Pratt & 
Lambert Dulkote. 

White Pine, Yellow Pine, Oregon Pine, Spruce, 
Cypress, Fir, Tamarack, Whitewood, Poplar, 
Redwood, Gumwood, Basswood and Cedar 
Woodwork 

Natural Above woods shall have one coat of Pratt & Lambert 
varnish Alcolac and two coats of Pratt & Lambert "38" Pre- 
finish servative Varnish lightly sanded between coats. Of 

final coat specify whether left in the natural gloss, rubbed 
to an eggshell finish or polished. (See Rubbing and Polishing.) 
Stained with . Above woods shall have one coat of Pratt 

Oil Stains Lambert Oil Stain (specify color), then 

varnish finish one coat °* P ratt & Lambert Alcolac and 
two coats of Pratt & Lambert "38" Preserva- 
tive Varnish, lightly sanded between coats. Of final coat specify 
whether left in the natural gloss, rubbed to an eggshell finish or 
polished. (See Rubbing and Polishing.) 



Above woods shall be first sponged with 
A "j'cT ""■" cold water and sanded smooth ivhen dry, then 
Acid Mains have one coat of p,.^ & La mbert Acid Stain 
varnish rinisn (specifv ^^ &en one eoat of white she i lac 



and two coats of Pratt & Lambert "38" Preservative Varnish 
lightly sanded between coats. Of final coat specify whether left 
in the natural gloss, rubbed to an eggshell finish or polished. 
(See Rubbing and Polishing.) The finish with Acid Stains on 
these woods while artistic will not be as smooth and even as when 
an Oil Stain is used. 

NOTE— In place of "38" Preservative Varnish, where 

specified in the foregoing specifications, specify "110" 

Cabinet Varnish, where economy of first cost is necessary. 

Dull finish Above woods shall be first sponged with cold 

w :*h water and sanded smooth when dry, then have 

Acid Stains one coat of i>ratt & Lambert Acid Stain (specify 

no rubbing color), then one coat of white shellac sanded 

lightly and one coat of Pratt & Lambert Dulkote. 

The finish with Acid Stains on these woods while artistic will not 

be smooth and even as when an Oil Stain is used. 

Dull finish Above woods shall have one coat of Pratt 

with Oil Stains & Lamber ' ™ t f a >* (specify color) then 

~~ —.kk; n .r one coat of Pratt & Lambert Alcolac or 

no rubbing ... , „ .,,.,, 

white shellac sanded lightly, then one coat 
of Pratt & Lambert Dulkote. 
Simpler method, . Above woods shall have one coat of Pratt 
a t fj„:.u & Lambert Oil Stain (specify color), and 

" one coat of Pratt & Lambert Dulkote. 

NOTE— Specify Spar Finishing Varnish as a final coat on 

all woodwork around windows, in kitchens, laundries, etc., 

or wherever there is likely to be a great deal of moisture or 

water coming in contact with the finished surface. The under- 

coatings of such woodwork should be "38" Preservative 

Varnish. 

Enamel work The woodwork of (specify where) to be 

Vitralite cleaned thoroughly and sanded perfectly 

smooth, then given a coat of lead and oil 

sanded smooth, and two coats of Pratt & Lambert Enamel Un- 

dercoating, each coat sanded lightly, then one coat of Pratt & 

Lambert Vitralite Enamel; when thoroughly hard, smooth off 

with steel wool or fine sandpaper, and apply a second coat of 

Pratt & Lambert Vitralite. 

NOTE— Specify whether final coat is to be left in the 
gloss or rubbed to a dull finish. 

NOTE— If a rubbed finish is desired, three coats of 

Vitralite are recommended, the final coat of Vitralite being 

rubbed with pumice stone and water. 

Dull or Egg- Tlle woodwork of (specify where) shall be 

shell Enamel cleaned thoroughly and sanded perfectly smooth, 



finish, with- 



then have a coat of lead and oil, sanded smooth, 



out rubbing tllen two coats of * >ratt & Lambert Enamel 

Vitralite Undercoating, sanded smooth, and then one or 

two coats of Pratt & Lambert Eggshell Vitralite. 

NOTE— Where time is limited and work must be done 
hurriedly, specify Pratt & Lambert Krystaline White Enamel 
in place of Vitralite. This applies to the Eggshell Vitralite 
also, for Krystaline, too, is made in the eggshell way. 

NOTE— Additional coats of Pratt & Lambert Enamel 
Undercoating and enamel may be specified, though the above 
specifications "will produce results satisfactory to the most 
exacting. 

NOTE— For work that is not to be rubbed, one coat of 
enamel will usually be found satisfactory. 

NOTE— Over plastered surfaces a good sizing should be 
substituted for the lead and oil. Over metal the lead and oil 
should be omitted. 

NOTE— If a tint is desired, the necessary color ground in 
Japan should be thoroughly mixed in the Pratt & Lambert 
Enamel Undercoating and Vitralite to bring them to the de- 
sired shade. 

Floors 

Oak and all These shall have one coat of Pratt & Lambert 

open-grained Paste Wood Filler (specify color) and two or 
wood floors three coats of Pratt & Lambert "61" Floor 

Varnish lightly sanded between coats. 
Maple, Pine and These shall have three coats of Pratt 

other close-grained & Lambert "61" Floor Varnish, lightly 
wood floors sanded between coats. 

Maple, Pine and other . These shall have one coat of Pratt & 
close-grained wood Lamber ' °/' ^tam (specify color) and 
floors" stained twocoatsofPraU & Lambert"61"Floor 

Varnish, lightly sanded between coats. 
NOTE— Under no circumstances whatever, use shellac, 
liquid fillers, or any other varnishes under Pratt & Lambert 
" 61 " Floor Varnish on floors. 

Rubbing and Polishing 

Eggshell An eggshell finish is obtained by rubbing the final 

finish coat of varnish with a piece of felt and pumice stone 

and water or crude oil. Water will give the finer finish, 
but oil will give a flatter finish and will do the work more quickly 
Flat or ^ " at or dead nn ish is obtained by rubbing the 

dead finish ^ na ' coat °' varn ' sn w ' tn hair cloth and pumice 

stone and crude oil. 

Polish A polished finish is obtained by first rubbing the final 

finish coat °^ var,usu w 'th a piece of felt and pumice stone and 

water, and then polishing with rotten stone and water. 

The higher polish is obtained by rubbing with the palm of the hand. 



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